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Contents. History Early years, Fat EP, Milo Goes to College, and first hiatus (1978–1984) In 1977, friends and David Nolte began writing songs on with the intention of forming a band. They initially called themselves The Itch, until Navetta came up with the name Descendents. By the end of the year they had failed to attract any more band members, so Nolte instead joined with his brothers. In late 1978 Navetta was joined by drummer and bassist, revitalizing the Descendents project. Nolte sang with the group at several of their early performances, but by the Spring of 1979 The Last were becoming more active and he left the Descendents.
The singerless 'power trio' lineup of Navetta, Lombardo, and Stevenson recorded the band's debut single at Media Art studios and released it on their own label, Orca Records, named after Stevenson's fishing boat. Lombardo sang 'It's a Hectic World' while Navetta sang 'Ride the Wild'. Nolte produced and mixed the session, and his brother Joe turned the lead guitar level up, resulting in the guitar being very loud in the mix. Where the Fat EP and Milo Goes to College were recorded.
The band's music at the time was described by Stevenson as a 'coffee'd-out blend of rock-surf-pop-punk music. The sound consisted basically of Lombardo's hard-driving, melodic bass lines, Navetta's tight guitar riffing, and my 'caffinated' surf beats.' , author of, describes the single as 'a blend of -style and -like.' Ned Raggett of describes it as surf-inspired with a New Wave edge: 'Not quite Devo if they grew up on the coast, but there's something to that comparison.' Lacking a lead singer, Navetta and Lombardo provided vocals on the single. After a six-month trial with a female singer (Cecilia Loera), they recruited as their new vocalist. The addition of Aukerman and the consumption of large amounts of coffee led the band to write shorter, faster, and more aggressive songs in a style.
They later released the in 1982. It was a record which established the band's presence in the southern California hardcore punk movement with its short, fast, aggressive songs. The use of melodies and mixing them with found on Milo Goes to College was considered very unusual at the time by the punk scene but was considered as a massive influence by and bands. Problems playing this file? For the recording of their first album in June 1982, the band worked at in with, who had also engineered and produced the Fat EP. While still short and fast, the songs on Milo Goes to College were also melodic. Singer later reflected: 'It's interesting: we started very melodic, then moved to hardcore, but melded the two at a certain point and became.'
The album's title and cover illustration referenced Aukerman's departure from the band to study at the. The illustration was done by Jeff Atkinson, based on earlier by a high school classmate of Aukerman's named Roger Deuerlein, who had drawn comic strips and posters depicting Aukerman as the class. A note on the back of the LP read 'In dedication to Milo Aukerman from the Descendents', and was signed by the other three members. Aukerman later recalled that the band took his departure in stride: When I decided to go to university, the guys in the band were pretty hip on it because they knew how big of a nerd I was. Like, 'What else would you expect him to do but to go off and be a geek?' I mean, I've got a in — how uncool is that? The band had time off so I spent like two years with Black Flag.
I got in over my head. When I joined Flag I had every intention of doing both bands but it was physically impossible. Flag had all this stuff in progress, so I put Descendents on hold. – on the group's first hiatus. The band continued performing for a time with Ray Cooper on vocals, who then switched to, and occasionally with Aukerman when he would make return visits to Los Angeles.
At the same time, drummer had also joined, intending to be in both bands at once but soon finding it too difficult due to Black Flag's touring and recording schedule: 'The band had time off so I spent like two years with Black Flag. I got in over my head. When I joined Flag I had every intention of doing both bands but it was physically impossible. Flag had all this stuff in progress, so I put Descendents on hold.' With Aukerman in college and Stevenson in Black Flag, the Descendents went on hiatus from 1983 to 1985. During this time burned all of his equipment and moved to, while Cooper and bassist performed as the Ascendants.
Reformation, I Don't Want to Grow Up, Enjoy!, All, and second hiatus (1985–1995). Well, basically, I've been wanting to work with David for a long time; but at the same time, Milo has stuck with me for almost nine years now, so I wouldn't exactly feel right about just continuing to call us the Descendents.
In a sense that would be kind of like discrediting Milo's nine years worth of effort. It's kind of like, 'Let the Descendents be my and Milo's sacred thing,' or whatever.
Who knows, at some point later on we might decide that we want to get together and record something. – on forming and not replacing Milo Aukerman of the Descendents. Aside from the concept of 'All', other songs on the album such as 'Coolidge', 'Pep Talk', and 'Clean Sheets' dealt with themes of broken relationships, while 'Iceman' was loosely based on the play. The album was released through, who had purchased the Descendents' previous label that year and also re-released all of their previous albums.
All was released in, and formats, the latter two containing the additional tracks 'Jealous of the World' and 'Uranus'. The band supported the album with a 60-day Spring 1987 tour, followed by the 50-day Summer 'FinALL' tour, so-called due to Aukerman's decision to leave the band to pursue a career in. Recordings from these tours were used for the (1987) and (1989). Following Aukerman's departure the band added singer of and rechristened themselves, a change Stevenson claimed he had wanted to make for eight years. 'Well, basically, I've been wanting to work with David for a long time; but at the same time, Milo has stuck with me for almost nine years now, so I wouldn't exactly feel right about just continuing to call us the Descendents. In a sense that would be kind of like discrediting Milo's nine years worth of effort.
It's kind of like, 'Let the Descendents be my and Milo's sacred thing,' or whatever. Who knows, at some point later on we might decide that we want to get together and record something. On December 16, 1987, during the recording of the first All album, Pat McCuistion died when his fishing boat sank during a storm. Stevenson remarked that 'He had 15,000 pounds of fish onboard, so I guess you could say he died in heated pursuit of All. He was always the '5th member' of the band, besides being my best friend, next to Milo.'
With Smalley and later singers and, All released eight albums between 1988 and 1995, with Aukerman contributing occasional songwriting and backing vocals. Second reformation, Everything Sucks, and third hiatus (1995–2003) In 1995 Aukerman expressed a desire to return to recording and performing, so the band members decided to work with him as the Descendents while continuing to work with Price as All, in order to 'make room for Milo without pushing Chad out.' Stevenson explained that the arrangement did not cause any resentment between the two singers: 'It's all totally good, it's just that when we are playing, Milo couldn't be All's singer, cause Chad is All's singer. So, we decided that we could be Descendents with Milo, and All with Chad.
It's not really a reunion, we've been together the whole time.' Aukerman described his decision to rejoin the band as 'really just my re-entry into the song writing, I had been away for so long and I just wanted to make music which is what I love to do.' Everything Sucks was recorded in June and July 1996 at, a studio built and run by Stevenson in. Original Descendents members Tony Lombardo and Frank Navetta made appearances on the album: Navetta wrote the song 'Doghouse' and both he and Lombardo played on it, marking the first recording by the original Descendents lineup of Aukerman, Lombardo, Navetta, and Stevenson since in 1982. Lombardo also played on 'Eunuch Boy', a song he and Aukerman had written fifteen years earlier. According to Aukerman: 'Eunuch Boy' is the first song I ever wrote, really.
When we formed, Tony Lombardo, the original bass player said, 'Dude- you need to write some songs,' and I had never written a song before so I just wrote down some words and brought it to him. He made the music for it.' Lombardo also wrote and played on 'Gotta', which was left off of the album but released as a on the ' single. Chad Price sang backing vocals on the album, while Stevenson and Egerton produced and engineered it. All had previously been signed to major label for 1995's, but were dissatisfied with the experience. Both All and the Descendents signed to, who released Everything Sucks, the subsequent All albums (1998) and (2000), and the All/Descendents double live album (2001).
It was rumored that Epitaph would not sign All without getting the Descendents as well, but Stevenson explained that the arrangement was made because Epitaph head would allow both bands to make albums at their discretion: When we signed with Epitaph it was for both bands. It was a thing of knowing Brett forever, and so I just sat down and said, 'Well, we want to make records!' At the time we were leaving Interscope. We weren't happy with Interscope at all. So we sat down and told them we wanted to make both All and Descendents records whenever we want, at our choosing.
Brett and I worked out a deal like that, so it was really flexible and we could basically do whatever we wanted. The Descendents supported Everything Sucks with a series of tours from September 1996 to August 1997 covering the, the, and, touring with, and others. Were filmed for ' and ', and both songs were released as in Europe.
Fourth reformation, Cool to Be You, reunions, and Hypercaffium Spazzinate (2004–present). Descendents in 2010 In the early 2000s, Aukerman took a break from biochemistry and reunited with the Descendents to record a new album. The recording sessions for took place with Aukerman in February 2002 at in, with additional recording done in April at Planet of Sound in, and were by Stevenson. The band recorded the music for the songs live in the studio with minimal, and Aukerman's vocals were recorded over the instrumental tracks. However, these recordings were not released for another two years. Stevenson explained that the gap of eight years between Descendents albums was due to the band members having children and to his father's death.
'Merican', their first overtly political song, addresses positive and negative aspects of American history, celebrating cultural figures such as Otis Redding, Duke Ellington, and Walt Whitman while condemning slavery, Joseph McCarthy, the Ku Klux Klan, and the Vietnam War. Problems playing this file? For the release of Cool to Be You the Descendents signed to.
Label head and musician was a longtime fan of the band, and his enthusiasm for working with them was a major factor in their decision to sign to the label. Stevenson commented that 'If you've got the owner of the label saying he wants to put out a record by what is probably his favorite band of all time, that's rad. That's the best possible position for a band to be in.' The album was preceded by the in February 2004, followed by the full-length album in March. Cool to Be You was released in both and formats, with a cover illustration drawn by Chris Shary depicting the band's Milo drawn on.
In October 2008, founding member Frank Navetta died after 'becoming ill over the course of a few days'. The official website of the Descendents gave its grief to Frank, 'We're very sorry to announce that founding member of The DESCENDENTS, and close friend Frank Navetta died on October 31, 2008 after becoming ill over the course of a few days. This is obviously a huge loss for the DESCENDENTS family. His contribution to the band, and to music in general can not be overstated. Frank will be truly missed.' In 2010 the Descendents reunited again for a series of gigs. According to Milo, the reunion is not an official reformation.
He classified these as 'one-off shows', usually occurring when he is able to take advantage of vacation breaks as working as a biologist to perform with the Descendents. A documentary called documenting the story behind the Descendents and All premiered at Bloor Hot Docs cinema in Toronto on 15 June 2013. In May 2015 it was announced by Stevenson that the band had been working on some demo songs for a new album, which could possibly be released mid-2016. On April 22, 2016, it was announced that the band's next album, along with an accompanying EP with 5 bonus tracks from the recording sessions entitled would be released through Epitaph in July. On June 7, the debut single from Hypercaffium Spazzinate 'Victim of Me' was released on all streaming services. In July 2016, Milo announced he would be leaving his scientific career to pursue the Descendents full-time, citing burnout with biochemistry and getting laid off from DuPont.
In April 2017, the band released a standalone single titled 'Who We Are', a highly political song that laments the and repudiates the bigotry, violence and divisiveness that the band feels he has caused. Lyrical and musical style.
The original version of the Milo character, as drawn by Jeff 'Rat' Atkins for the cover of A of singer has been a for the Descendents since the early 1980s, appearing on the covers of five of the band's seven studio albums. The character was created by Roger Deuerlein, a classmate of Aukerman and drummer 's at who taunted Aukerman by drawing comic strips and posters depicting him as the class. 'He usually used me to make campaigns for people running for class office', said Aukerman.' I remember him making one that said 'Don't be a nerd like Milo, vote for Billy!' Or something like that.'
For the cover of the Descendents' first album, (1982), Stevenson asked friend Jeff 'Rat' Atkins to draw his own interpretation of Deuerlein's Milo character: 'I go 'Roger does the drawing ', recalled Atkins, 'He goes 'No, you gotta do it.' I said 'Okay, what kind of Milo do you want?' So I draw him a Milo.
First was the T-shirt, then I drew the Milo, then I drew the Milo with a tie, because he goes to college. Bill goes 'Oh, that’s it', and it becomes the cover of the first record.' For the band's 1985 album, the character was reinterpreted as a baby. When the band's name was changed to upon Aukerman's departure in 1987, bassist created the character to serve an equivalent function for the new band. In addition to appearing on much of the Descendents' merchandise and promotional materials, the Milo character has been reinterpreted by other artists for all of the band's releases since 1996:. Reading a newspaper on the cover of (1996). The full illustration, used for the lyric sheet and the ' single, depicts the character sitting atop the tank of an overflowing toilet as it floods the room around him and a forms outside the window.
This illustration is credited to 'Grey Stool', though Aukerman notes it was created by 'the kind people at '. As an elderly man in a wheelchair on the cover of the ' single (1997).
Dressed as, in two versions, on the cover of (2004), as drawn by Jeff Hagedorn. Drawn on on the cover of (2004), as illustrated by Chris Shary. Shary also drew the character as an old man for the cover of the Descendents Milo Turns 50 (2013), published by magazine, and a more detailed depiction of the character as the promotional artwork for, a 2013 about the Descendents and All. As an on the cover of (2016). Legacy and influence The Descendents have been cited as hugely influential to a large number of modern-day and bands such as, and. 'Everything about how I sing and play guitar came from this band.
Blink is absolutely a product of The Descendents,' said Blink-182 vocalist/guitarist in 2011, while vocalist/bassist called 'Silly Girl' from (1985) 'the first song that really altered my life. It spoke to me in a way that nothing did.' In 2014, Filmage: The Story of Descendents/All, a documentary on the band, premiered. The film features interviews with Hoppus, of and, and of.
Milo Goes to College has been included in several lists of noteworthy punk albums. Has listed it several times, ranking it No. 74 in a 1995 list of the best albums and No. 20 in a 2001 list of 'The 50 Most Essential Punk Records', and including it in a 2004 list of 'Essential Hardcore' albums. In these lists, critic described the album as 'Fifteen Cali-core that anatomize dork-dude pangs with brevity', while Andrew Beaujon called it 'Super clean, super tight, super poppy hardcore about hating your parents, riding bikes, and not wanting to 'smell your muff.' In 2006 ranked it as the 33rd greatest punk album of all time.
The German edition of the 's ranked it at 349. In 2016, a Descendents branded entitled 'Feel This Coffee' was released by the branch of.
It is named after a track from their latest album. Band members Current members. – (1978–1983, 1985–1987, 1995–1997, 2002–2004, 2010–present). – (1980–1982, 1985–1987, 1995–1997, 2002–2004, 2010–present). – (1986–1987, 1995–1997, 2002–2004, 2010–present).
– (1986–1987, 1995–1997, 2002–2004, 2010–present) Former members. – guitar (1977–1983; died 2008).
David Nolte –, guitar (1977–1979). – bass guitar (1978–1983, 1985). Ray Cooper –, rhythm guitar (1982-1983), guitar (1985–1986). – bass guitar (1985–1986). Retrieved 2010-02-03.
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Joan De Somery
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Retrieved 2015-02-19. External links Wikimedia Commons has media related to. Operation Phoenix Records. Operation Phoenix Records.
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Retrieved 2010-02-14. External links. at (streamed copy where licensed).